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An open & shut case?

02 November 2012 / James Wilson
Issue: 7536 / Categories: Blogs
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James Wilson recalls the day when zombies invaded the courtroom

Peter Jackson is New Zealand’s best known and most successful film director. His Lord of the Rings trilogy won 17 of the 30 Academy Awards for which it was nominated. His first “mainstream” film, Heavenly Creatures, dealt sensitively and imaginatively with one of New Zealand’s most notorious crimes, the Parker-Hulme murder of 1954. He produced the intelligent science fiction film District 9 and also directed a well-received remake of King Kong.

Braindead

With all that in mind, it usually comes as a surprise for people to learn that his first two films, Bad Taste and Braindead, were “splatter horrors”, and indeed extreme examples of what is already a far-fetched and farcical genre. I imagine that the target audience for both films was in the nature of drunken students rather than, for example, senior judges. Yet Braindead (AKA Dead Alive) became the subject of a lawsuit, necessitating its viewing in full in the solemn surrounds of

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From oligarchs to cosmetic clinics, strategic lawsuits against public participation (SLAPPs) target journalists, activists and ordinary citizens with intimidating legal tactics. Writing in NLJ this week, Sadie Whittam of Lancaster University explores the weaponisation of litigation to silence critics
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Writing in NLJ this week, Thomas Rothwell and Kavish Shah of Falcon Chambers unpack the surprise inclusion of a ban on upwards-only rent reviews in the English Devolution and Community Empowerment Bill
Charles Pigott of Mills & Reeve charts the turbulent progress of the Employment Rights Bill through the House of Lords, in this week's NLJ
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