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Filming fact & fiction

30 September 2022 / Athelstane Aamodt
Issue: 7996 / Categories: Features , Media , Libel , Defamation
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‘All characters & events depicted in this film are entirely fictitious… even when they’re not’: Athelstane Aamodt examines some perilous portrayals on the big & small screen

If you watch film credits all the way to the end, you might notice a piece of wording that features near their conclusion. It usually says the following: ‘All characters and events depicted in this film are entirely fictitious. Any similarity to actual events or persons, living or dead, is purely coincidental’. Most films involve entirely and obviously fictional events and people, which does rather beg the question: why is it there?

Troublesome title cards

Anyone who has studied law in England will be at least vaguely aware of a case called Youssoupoff v Metro-Goldwyn-Mayer Pictures Ltd (1934) 78 Sol Jo 617. In that case, the plaintiff was a Russian princess, Irinia Youssoupoff. She had been portrayed (under a different name) in a film called Rasputin and the Empress (also called Rasputin and the Mad Monk) which had been made and distributed

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NEWS
The landmark Supreme Court’s decision in Johnson v FirstRand Bank Ltd—along with Rukhadze v Recovery Partners—redefine fiduciary duties in commercial fraud. Writing in NLJ this week, Mary Young of Kingsley Napley analyses the implications of the rulings
Barristers Ben Keith of 5 St Andrew’s Hill and Rhys Davies of Temple Garden Chambers use the arrest of Simon Leviev—the so-called Tinder Swindler—to explore the realities of Interpol red notices, in this week's NLJ
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Lord Sales has been appointed to become the Deputy President of the Supreme Court after Lord Hodge retires at the end of the year
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