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NLJ this week: AI art, copyright law & the creative clash

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Writing in NLJ this week, Ben Travers of Foot Anstey examines the unresolved legal tensions at the heart of AI-generated content, following the high-profile Getty v Stability AI case. Although the primary copyright claim was dropped, Travers argues the core issues remain: can AI be trained on copyrighted material without permission, and who owns the output?

He notes that while IP law has adapted to past tech shifts—from VCRs to streaming—it now faces a new challenge: users increasingly see AI as a creative partner, not just a tool. This raises questions about authorship, infringement, and whether existing frameworks—designed for human creators—can cope.

Travers warns that users may unwittingly cede rights, echoing early social media missteps. As governments seek to balance innovation with protection, Travers calls for legal clarity on how copyright applies to AI training, output, and liability—before the creative landscape is reshaped beyond recognition.

MOVERS & SHAKERS

Harneys—Maggie Kwok & George Weston

Harneys—Maggie Kwok & George Weston

Harneys senior leadership appointments

Freeths—Keith Browne & Jim Jordan

Freeths—Keith Browne & Jim Jordan

Freeths strengthens London Construction and Engineering practice with two strategic senior hires

Anthony Collins—Laura Moss

Anthony Collins—Laura Moss

Anthony Collins announces strategic hire to deepen skills base in the social business sector

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Thirty years after The Future of Law shook a profession still using fax machines, its central forecast looks increasingly less like prophecy and more like description
More than 100 teams from the legal and financial services sectors competed in five sports at the 51st Law Society RFC Festival of Sport earlier this month
Part-time status need only be an effective cause of less favourable treatment, rather than the sole cause, the Supreme Court has held in Augustine v Data Cars
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