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04 December 2015 / Dominic Regan
Issue: 7679 / Categories: Features
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Strange but true

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That’s entertainment: Dominic Regan goes behind the scenes of showbiz legal wranglings

The entertainment industry has generated a disproportionate number of bitter claims. The reason is simple: money. A successful song, film or entertainer can pull in millions and royalties accrue for decades beyond. Disputes go to court and can reveal astonishing tales.

Go for gross

One lesson for every adviser is not to agree a deal whereby your client is to receive a percentage of net profits. Those taking the money will seek to subtract every conceivable overhead so as to reduce the size of the fund upon which the percentage is calculated. Best advice is to go instead for a cut of the gross takings, a figure which is readily ascertainable!

Seeing red

Sometimes it is the entertainer who is found to be in the wrong. Chris “Top Gear” Evans was involved in a vicious High Court action which he instituted arising out of his antics while working as a DJ for Virgin Radio. In Evans v SMG Ltd [2003] EWHC 1423 (Ch), [2003]

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MOVERS & SHAKERS

Clarke Willmott—Matthew Roach

Clarke Willmott—Matthew Roach

Partner joins commercial property team in Taunton office

Farrer & Co—Richard Lane

Farrer & Co—Richard Lane

Londstanding London firm appoints new senior partner

Bird & Bird—Sue McLean

Bird & Bird—Sue McLean

Commercial team in London welcomes technology specialist as partner

NEWS
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Courts are beginning to grapple with whether AI-generated material is legally privileged—and the answers are mixed. In this week's issue of NLJ, Stacie Bourton, Tom Whittaker & Beata Kolodziej of Burges Salmon examine US rulings showing how easily privilege can be lost
New guidance seeks to bring order to the growing use of artificial intelligence (AI) in expert evidence. Writing in NLJ this week, Minesh Tanna and David Bridge of Simmons & Simmons set out a framework stressing ‘transparency’, ‘explainability’ and ‘reliability’
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